Archive 2012
9 March 2012
Anne Hemkendreis, “As Music is the Poetry
of Sound, so is Painting the Poetry of Sight: Die Poesie des Alltags im Œuvre
Vilhelm Hammershøis”, paper at the graduate symposium Ästhetik und
Skepsis, Ruhr University of Bochum
22 March 2012
Anne Hemkendreis, “Woven from Light: Painted Symphonies by Vilhelm Hammershøi”,
paper at the conference Krøyer and Hammershøi: Viewed from abroad,
Statens Museum for Kunst, Copenhagen
4 May 2012
Birgitt Borkopp-Restle, “Tradition und
Nouveauté: Die Konfiguration von Interieurs an der Schwelle zum 19.
Jahrhundert”, keynote lecture at the international workshop Tapezierte
Interieur-Anordnungen: Narrative des Wohnsubjekts um 1800, Institute
of Art History and Art Education, University of Bremen, and Mariann Steegmann
Institute: Art & Gender, Bremen, 4–5 May 2012
15 May 2012
Peter J. Schneemann, “Betrachtungs- oder
Handlungskontext? Strategien des inszenierten Raumes in der Kunst der
Gegenwart”, contribution to the lecture series studio
wohnen+/-ausstellen, Institute of Art History and Art Education,
University of Bremen, and Mariann Steegmann Institute: Art & Gender,
Bremen, 24 April–16 July 2012
1 June 2012
Anne Hemkendreis, “Sinnliche Materialitäten: Opazität und Transparenz in den
monochromen Interieurbildern Vilhelm Hammershøis”, paper at the graduate forum
Glanz, Spiegelung, Transparenz: Oberflächen und ihre visuellen
Potenziale, Warburg-Haus, Hamburg
25 June 2012
Tabea Schindler, “Die Abwesenheit
von Affekten: Briefleserinnen in der holländischen Malerei des 17.
Jahrhunderts; oder Das Interieur als Affektträger”, paper at the 13th
International Baroque Summer Course of the Werner Oechslin Library Foundation:
Affekt & Wirkung, Einsiedeln, 24–28 June 2012
25 June 2012
Steffen Zierholz, “Francisco Zurbaráns ‘Christus am Kreuz mit einem Maler’ und
die Praxis des meditativen Gebets”, paper at the 13th International Baroque
Summer Course of the Werner Oechslin Library Foundation: Affekt &
Wirkung, Einsiedeln, 24–28 June 2012
30 July 2012
Christine Göttler, “Golgatha in der
Kunstkammer: Künstlerwissen und religiöses Wissen im Zeitalter des Ikonoklasmus
und der Reform”, paper at the
conference Dynamisierungen religiösen Wissens in der
Vormoderne, organized by the research group “Religiöses Wissen im
vormodernen Europa (800–1800): Transfers und Transformationen; Wege zur
Wissensgesellschaft der Moderne”, University of Tübingen, Weingarten, 30
July–1 August 2012
4 September 2012
Anne Hemkendreis, “Poesie der
Einsamkeit: Die monochromen Interieurs des dänischen Malers Vilhelm Hammersøi”,
lecture in context of the exhibition Hammershøi und Europa,
Hypo-Kulturstiftung München, 15 June–16 September 2012
9 September 2012
Tabea Schindler, “Plaster as a Matter
of Memory: Auguste Rodin and George Segal”, paper at the conference
Material Meanings, Third Biannual Conference of the European Network
for Avant-Garde and Modernism Studies (EAM), University of Kent,
Canterbury, 7–9 September 2012
20 September 2012
Christine Göttler, “Building an Oratory Within One’s Soul: (Carved)
Objects of Devotion in Seventeenth-Century Flemish Collections”, paper at
the colloquium Prayer Nuts, Private Devotion and Early Modern Art
Collecting, Abegg Foundation, Riggisberg, 20–21 September
2012
6 October 2012
Sascha Förster, “Von Showtreppen und Frühlingslandschaft: Imaginative
Räume des Schlagers”, paper at the conference Sound und
Performance, 11th Congress of the German Society for Theatre Studies,
University of Bayreuth, 4–7 October 2012
17 October 2012
Christine Göttler, “Constructing a Global Interior: The Imagery of
Collections and Collecting in Seventeenth-Century Flemish Art”, guest lecture
at the Bard Graduate Center: Decorative Art, Design History, Material Culture,
New York
1 November 2012
Christine Göttler, “‘In mentes
hominum […] immittit per caecam insomnia noctem’: Imagination in the Chamber of
Sleep; On a Drawing by Karel van Mander”, paper at the
conference Image, Imagination and Cognition: Early Modern Theory and
Practice, Netherlands Institute for Advanced Study in the Humanities
and Social Sciences (NIAS), Wassenaar, 31 October–2 November 2012
17 November 2012
Peter J. Schneemann, “Whose House? Reading the Interior as Context:
Anagrammatic Spaces in Contemporary Art”, paper at the conference Comme
si... Espaces et fictions: Autour de la period room, Institut national
d’histoire de l’art (INHA), Paris, 16–17 November 2012
17 November 2012
Dora Sagardoyburu, “L’appropriation du passé reconstitué dans l’art
contemporain: Modalités”, paper at the conference Comme si... Espaces et
fictions: Autour de la period room, Institut national d’histoire de l’art
(INHA), Paris, 16–17 November 2012
24 November 2012
Sascha Förster and Ann-Christine
Simke, “‘facilitate ist eigentlich ein gutes Wort dafür’: Drei Vorbemerkungen
zu einer Dramaturgie ohne Drama”, paper at the conference Dramaturgien:
Texte - Spiele - Wirkungen, Institute for Theatre Studies, University of
Bern, 23–24 November 2012
6 December 2012
Anne Hemkendreis, “The Alienation of Inwardness: Female Figures at a Threshold
in the Paintings of Vilhelm Hammershøi”, paper at the conference Interiors
and Interiority, Denkerei, Berlin, 6–8 December 2012
8 December 2012
Peter J. Schneemann, “Anagrammatic Spaces: Moving Interiors in Contemporary
Art”, paper at the conference Interiors and Interiority, Denkerei,
Berlin, 6–8 December 2012